Tag Archives: Writing

Lady Bird Review

Snapshot reviews: Lady Bird + others!

Lately, I’ve hated movies a lot more. Where I used to watch any old thing, I withstood two minutes of the latest Guardians of the Galaxy before switching off.

I began to wonder if I was on a permanent downer. I decided to ease myself back into film-watching and blogging with some of the latest, more highly-acclaimed movies – after all, Oscars are a sure indicator of quality, right?! Errr…. First up:

FIRST MAN

Having glanced at the Neil Armstrong biography First Man (Ryan Gosling) is based on, I expected it to be as entertaining as a double seminar on the physics of rocket propulsion.

It’s the practical effects that really excel; NASA was essentially firing men to space in tin cans. “You’re a bunch of boys,” rages Claire Foy’s formidable Mrs. Armstrong. Sometimes that’s all it takes…

I’d rather watch Brad Pitt fight Moon pirates tho.. 🐞🐞🐞🐞

THE FAVOURITE

A luminous Restoration-era comedy-drama, The Favourite is the fictionalized tale of ailing Queen Anne’s (Olivia Colman) relationship with brash aristocrat Sarah (Rachel Weisz). They’re depicted as carer/patient, friends, and as lovers, with Sarah the power behind the throne.

Where Mary Queen of Scots was a traditional costume drama with a woke angle, Yorgos Lanthimos’ The Favourite is unconventional to its marrow.

Emma Stone, so insipid in La La Land, inserts herself into the bawdy period setting – and the Sarah/Anne relationship – with razor-sharp skill (and a spot-on English accent).

Where women in power are as vile as the men. 🐞🐞🐞🐞🐞

LADY BIRD

At her Catholic private school, Christine ‘Lady Bird’ (Saorise Ronan) is embarrassed by her relatively poor background, and mean-girls in order to fit in with an edgier crowd.

Set just post 9/11, she can’t wait to ditch her hometown of Sacramento and head east for college – upsetting her hard-working mother, frustrated that her daughter can’t be grateful for what she has. (I’d say putting a continent between them is clearly for the best.)

Even if Lady Bird needs to spread her wings, director Greta Gerwig makes their shared hometown look like bliss. It’s a love letter to contentment, and to Sacramento.

Little Women still looks insufferable. 🐞🐞🐞🐞🐞

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Mildred Hayes (Frances McDormand) believes local cops failed her slain daughter, so she rents three billboards with a damning message for Chief Willoughby (Woody Harrelson), provoking his Deputy Dixon (Sam Rockwell) into a conflict that escalates to Molotov cocktails.

In Martin McDonagh’s earlier, 2008 cult hit In Bruges, you felt sorry for Colin Farrell’s bungling hitman, even though he (inadvertently) shot a child. You laughed when he beat up the Canadian Guy. In Ebbing, senseless violence makes viewers wince, while racist thug Dixon never endears like Farrell.

A ‘dark fairy tale’, or just full of plot holes? 🐞🐞🐞

GREEN BOOK

Named after the pre-Civil Rights guidebook for African-American road trippers, Green Book is based on the true story of classical/jazz musician Dr Don Shirley’s (Mahershala Ali) tour of the South.

Meant as heartwarming fare about the power of friendship, comedy is mined from the pairing of the refined Shirley and his driver/heavy Tony Lip (Viggo Mortensen), an uncouth, working-class Italian-American.

So feelgood, you could almost forget why it was called ‘Green Book’!

Yikes, Aragorn really went to seed. 🐞🐞🐞

I, TONYA

This reminded me of David O. Russell’s American Hustle, so a no-go for me straight off the bat-on. It’s something to do with the camerawork and heavy-handed period detail.

Staged mockumentary-style (à la Drop Dead Gorgeous) I, Tonya follows 90s champ skater Tonya Harding (Margot Robbie) and her connection to the attack (orchestrated by her husband, Jeff Gillooly) on her rival Nancy Kerrigan.

Tonya’s traumatic childhood and abusive marriage are set to retro tunes and playfully presented – she’s a gutsy chick sticking it to the snooty skating authorities, who never gave her a chance. An interesting take, challenged by some.

As exhausting and stressful as Margot Robbie’s frizzball hairdo. 🐞🐞

DUNKIRK

Christopher Nolan’s film about the evacuation of Allied soldiers in WWII sees practical effects again triumph. Kenneth Brannagh and Mark Rylance do stoic bravery; pilots Jack Lowden and Tom Hardy do stoic RAF fighter cover, while young soldiers including Harry Styles run the gauntlet.

Historical disaster re-enactment. 🐞🐞🐞

What are your fave films from the last few years? Recommendations please! Lx

Top Ten Tuesday – Childhood Favourites

Hello all, and a belated happy new month!

It’s Top Ten Tuesday again – it happens every week – and today, it’s Childhood Favourites. Here are mine:

Tim and the Hidden People

by Sheila K McCullagh. Tim finds a magic key which enables him to see the Hidden People. I came across this ancient class reader series in some dusty attic. Dark and atmospheric, with wonderful artwork. So began my love of all things fantasy.

The Secret Island

by Enid Blyton. I was given my first book token and I picked this! The Secret Stories were a forerunner to the more famous Famous Five series. Three siblings escape cruel relatives to live on a secret island, which is the start of their adventures with Prince Paul (!) of Baronia. I would go on to read a lot of Blyton, but this stayed with me the most.

Mrs Frisby and the Rats of NIMH

by Robert C. O’Brien. Talking animals didn’t interest me. I never liked Beatrix Potter or Wind in the Willows. OK, I liked The Animals of Farthing Wood by Colin Dann, but the mystery of the secretive colony of rats at the centre of O’Brien’s Newbury medal-winner captivated me.

Moondial

by Helen Cresswell. When you think of stately homes, what comes to mind? TIME TRAVEL, that’s what. I’d mention A Traveller in Time by Alison Uttley, and Tom’s Midnight Garden by Philippa Pearce here too.

Five Children and It

by E. Nesbit. The first in a trilogy. Five kids staying at their uncle’s mansion discover a bad-tempered sand fairy who can grant wishes. Wishes go wrong! I also loved Nesbit’s The Treasure Seekers, featuring the adventurous Bastable children.

The Chrestomanci Series ‘Witch Week’

by Diana Wynne Jones – author of Howl’s Moving Castle. Part of the Chrestomanci series, Witch Week is set in a parallel world, similar to ours, where magic is common! Off the top of my head, Jones’ Archer’s Goon, A Tale of Time City, and The Dalemark Quartet brightened my childhood.

The Chronicles of Narnia

by C.S Lewis. I don’t recall loving Lewis’ writing. But despite that, and my ‘talking animals’ prejudice, there’s no denying the pull that Narnia had on me.

Midnight is a Place

by Joan Aiken. This historical melodrama lays it on a bit thick: wronged orphans, bad-tempered guardians, vast mansions…I loved it, and also Aiken’s alternate history The Wolves of Willoughby Chase.

The Children of the New Forest

by Frederick Marryat. My maternal grandfather’s favourite – given to me as a present. It’s England, the Civil War, and the Beverley orphans escape the Roundheads and hide in the forest. Other classics I loved: Alcott’s Little Women, The Prince and the Pauper by Twain, and the slightly later The Secret Garden by Frances Hodgson Burnett.

When Hitler Stole Pink Rabbit

final1562101752983.jpg

The Silver Sword by Ian Serraillier

by Judith Kerr. WWII historical fiction dominated heavily in my reading. Pink Rabbit was probably my favourite, but I also loved Carrie’s War by Nina Bawden, The Silver Sword by Ian Serraillier, and The Cay, by Theodore Taylor. Plus I am David by Anne Holm, set a little later.

Soon it was paranormal romance! But also Brontë, George Elliot, and Rebecca by Daphne de Maurier.

So that’s my 10…OK I cheated a bit! xLx

Book Reviews Sally Rooney – NORMAL PEOPLE are overrated

You’re in so much pain you pass out. Before you collapse, you’re pondering your unearned cultural privilege and reductive iteration of gender theory. Meet Frances: communist, poet, and narrator of Sally Rooney’s coming-of-age debut set in post-crash Dublin.

Frances and BFF Bobbi study at the elite Trinity College. They encounter 30-something photojournalist Melissa, who introduces them to her actor husband Nick and their arty social set.

While Bobbi gets cliquey with Melissa, Frances has a desultory affair with the handsome yet passive Nick, who suffered a breakdown.

Before college, the girls attended high school together, where Bobbi scrawled “fuck the patriarchy” on a wall near an image of a crucifix. (She’s a rich anarchist who browbeats her fellow students with her “remorseless intelligence”.)

When not joining Bobbi in putting the world to rights on everything from gender roles to capitalism and police brutality, Frances self-harms, and mops up after her violent alcoholic dad. Bobbi ‘compliments’ her by saying she doesn’t have a “real personality”.

Frances has insecurities about her looks and working-class background, but consoles herself she’s smarter than other people. “I’m going to become so smart that no one will understand me…” she daydreams, leafing through A Critique of Postcolonial Reason.

It would be OK if Friends were a biting Millennial satire. But it’s as earnest as its characters, and like being battered round the head with that copy of Postcolonial Reason.

I can see why it would appeal to young female readers who identify with Frances’ self-esteem woes. It’s much, much darker though – in terms of mental health – and full of doctorate level gobbledygook. Hardly the witty, sparkling delight people have been cooing over.

Normal People

20190528_113416.jpg

The couple who mope together…

Normal People’s third person narrative is shared between Marianne and Connell.

Connell’s mother cleans for Marianne’s rich family. At school, he’s a popular soccer player, while Marianne is an outcast. Terrified of what other people think, he ignores her, setting up a tortured on/off romance.

They leave small-town Ireland for Trinity College, where (like Frances and Bobbi) they’re the two smartest people enrolled. Aspiring writer Connell is further alienated by his working-class background, and suffers a breakdown.

Marianne revels in her isolated perch, with the scholarship exams a matter of needing her “superior intellect to be affirmed in public.” In another Friends retread, she’s beaten at home, this time by a brother.

During an on-again phase (and in an echo of Frances and Nick) Marianne (who feels herself “degenerating, moving further and further from wholesomeness, becoming something unrecognisably debased”) asks an uncomfortable Connell to hurt her during sex.

Described as a ‘modern love story’, it puts you through the wringer: depression, self-harm, suicidal thoughts, domestic violence, abusive boyfriends, death, predatory schoolteachers, BDSM. If this is a modern love story, do count me out.

Rooney again nails Millennial hangups, and doesn’t challenge them. She’s a young voice emerging ahead of the pack, pale and interesting in interviews, so smart you can barely understand her.

Top Ten Tuesday: Adapt This! Page to Screen

This is my first ever Top Ten Tuesday, a book blog meme created by The Broke and the Bookish in June of 2010, moved to That Artsy Reader Girl in January 2018.

“Page to Screen” is this week’s topic. This is a list of books I’ve read, off the top of my head, that I’d like to see adapted/re-adapted, or are being adapted, etc…

Circe by Madeline Miller This current bestseller about Circe, daughter of Helios, Greek god of the sun, has already been optioned for a TV series. May the gods descend from the heavens if they stuff it up!

Life after Life by Kate Atkinson This is one of my favourite novels, with its historical family saga meets Sliding Doors-style alternate timelines. I’d love to experience this atmospheric novel up on screen.

The Book of Strange New Things by Michel Faber They did an Amazon pilot on this, starring Rob Stark from Game of Thrones. It’s the most melancholy book I’ve read (FYI Faber’s Under the Skin became a cult classic starring Scarlett Johansson).

Eleanor Oliphant is Completely Fine by Gail Honeyman would make a fine movie if they get the tone right. It’s already been snapped up by Reese Witherspoon…sure. I don’t know why, but I got a slight Mike Leigh/Happy-Go-Lucky vibe.

Leia, Princess of Alderaan This is a YA Star Wars canon novel by Claudia Gray. I think Solo was doomed because fans just didn’t want a movie centered on Han. A series or a movie about a young Leia? A surprise to be sure, but a welcome one.

After Mrs Rochester This is actually a play Polly Teale wrote after adapting Jane Eyre for stage. It’s based on the troubled life of Jean Rhys, writer of Wide Sargasso Sea. We’ve had Colette, so why not Rhys?

Gates of Fire Rights to Steven Pressfield’s historical epic about the Battle of Thermopylae were acquired by George Clooney’s production company years ago, before vanishing into antiquity. Here’s a good article about why Gates of Fire never made it to the big screen.

Red Sparrow by Jason Matthews I did a post about the Jennifer Lawrence movie and the book it was based on. The film..and even the book (first in a trilogy) have a certain ick factor, but there’s still potential for a TV series about spy/ballet dancer Dominika.

The Aftermath by Rhidian Brook. Only recently done, but attempt #1 was dull, and they could redo in ten years! I know they have to alter things for screen – my only unfulfilled expectation was not to be bored out of my ever-loving skull.

The Bell Jar by Sylvia Plath is Kirsten Dunst’s proposed directorial debut. While I’ve great faith in Dunst (who has co-written the script) as an actress, this is a huge challenge!

**Lx**

FANTASTIC BEASTS: The Crimes of Grindelwald

You’d imagine J.K. Rowling had earned enough goodwill that people might give her the benefit of the doubt.

But before her Fantastic Beasts sequel even started filming, there was controversy over her support for her tabloid-stricken star Johnny Depp. It prompted director David Yates to release a statement via his agents Moony, Wormtail, Padfoot and Prongs…

“Duh, he’s literally playing Wizarding Hitler, like literally,” shrugged Yates. “Let’s hope nobody takes a pop at Eddie Redmayne and accuses him of drop-kicking a Niffler. Now that’d be a real PR nightmare!” he laughed.

Then a scene in the trailer supposedly broke canon, and then the release of the official cast list drew fury for messing with timelines established in books/minds.

But J.K writes great mysteries and she doesn’t make it up as she goes along, right? 

Well, there are some potential canonical problems here, but it’s only the second film of five.

What’s worse is the critical consensus that it’s the worst Potter ever – that it has too many characters and confusing subplots, no clear protagonist, and exists only to set up later chapters.

To be clear, the first Beasts wasn’t that fantabulous – my review was basically, “Wow how hot is Colin Farrell?!” However, I could see it was the start of a story that promised to tap into the richer HP mythology.

‘Crimes’ opens with an impressive action scene, even if the criminal was actually already free, and just wanted his escape to have a certain degree of flair.

IMG_20190402_121715-01.jpeg

Depp’s take on the character is more Black Mass than Captain Jack, but dark magic must take a toll, as Jamie Campbell Bower’s blond, handsome, spindly young wizard is just a mirage in the Mirror of Erised.

Grindelwald’s crimes include cruelty to cute critters (justice for Antonio!), murder, and nearly destroying Paris. He’s also guilty of making hot Dumbledore lovesick and mopey…after they spent a summer together in their teens, to put this in perspective.

The benignly manipulative Dumbledore has twisted Newt’s arm into protecting Credence – who is trying to discover his origins. And what a persuasive way Dumbledore has – “Hey Newt, you’re not popular, funny, or charming, but you do what’s right!”

So did Rowling have this new sibling twist planned, or did she come up with it between script revisions, à la George Lucas with Luke and Leia?

Well, there was a distinct lack of buildup. Audiences didn’t really finish the first movie speculating about a particular character’s parentage.

Of course Dumbledore always knows more than he lets on. “For the Greater Good” and all that – old ways die hard. Personally, I’ve always suspected he broke his dad out of Azkaban.

🧙🧙1/2

It’s fantastic Rowling is enriching the mythology of her world. I hope she stays true to her original vision. It’s a pity she didn’t leave her new franchise simmering in the cauldron for a lot longer.

Mini movie reviews for the weekend!

I live on an island, and I have to get a boat to see most of the cooler stuff on at cinemas. But with movies coming out so fast on digital platforms and DVD, why spend all that money on choppy trips to the multiplex?

Flatliners 

How did the Oscars miss this little gem about five medical students stopping their hearts to experience the afterlife?

It starts out strong thanks to a talented cast including Ellen Page and Diego Luna. Keifer Sutherland cameos but he’s not reprising his role from the original and imparting any wisdom like “Don’t stop your hearts!” so it seems pointless.

With such a great cast, I’d have loved a dark psychological drama about ambitious, cutthroat young medics playing God. Sub-par horror.

Ingrid Goes West 

Aubrey Plaza gains your sympathy and alarm as a woman with an unspecified mental disorder whose only meaningful connection comes via Instagram. With inheritance money she heads to California to trick her way into insta-star Taylor Sloane’s seemingly perfect life.

But where Instagram is just a career tool for blandly commercial Taylor, for needy Ingrid it’s toxic. After a suspenseful and sun bleached hour of social media satire, the final act becomes more of a “psycho” thriller, and possibly sends confused messages about mental health.

The Limehouse Golem

The late Alan Rickman was set to lead this lurid, Ripper-style mystery, until his illness meant Bill Nighy took over as the elegant Inspector Kildare, investigating the grisly Limehouse murders.

Music-hall star Lizzie Cree is on trial for killing her husband – who Kildare suspects may have been the infamous Golem. Hoping to save the angelic-looking accused from the gallows, he dashes around an atmospheric Victorian London (it’s a treat to see Karl Marx pop up as a suspect).

An entertaining spin on the never-subtle dead prostitute genre. Nighy is softly restrained, but Olivia Cooke – who looks like a cross between Carey Mulligan and Jenna Coleman – is the standout.

Victoria & Abdul 

Queen Victoria had her summer home, Osborne House, on the Isle of Wight. She holidayed here with her family, and it’s where she retreated during her long mourning for Prince Albert.

The widowed Queen’s relationship with John Brown was dramatized with Judi Dench and Billy Connolly in 1997. Dench returns opposite Ali Fazal as Indian manservant Abdul, who incited jealousy and panic among her household and the imperialist government, including son Bertie (Eddie Izzard).

Dench’s frail old lady might be Empress of India, but she’s outlived her loved ones, and feels trapped and lonely. It’s a devastating depiction of old age. I think it’s meant as a feelgood, comedy-drama like The King’s Speech, but the larky tone and silent comedy jar with the classism and racism of the British Raj.

Viceroy’s House 

Following WWII, the British Empire was dying, and Victoria’s great-grandson Louis Mountbatten was dispatched to the Indian subcontinent to bury the Raj with dignity.

The 1947 partition of India triggered one of the bloodiest upheavals in history. Here it gets the Downton Abbey treatment, with a fictional ‘upstairs, downstairs’ romance between two servants in the Viceroy’s palace. It’s a stately, well-lit costume drama. Not my cup of tea.

mother!

Jennifer Lawrence is in an unpleasant relationship as dutiful wife to selfish creative Javier Bardem. When her quiet home is invaded by uninvited guests Ed Harris and Michelle Pfeiffer, Bardem won’t tell them to shove it, much to Lawrence’s dismay.

mother! feels like a bad M. Night Shyamalan, before it becomes an unmistakable Darren Aronofsky fever dream. An ambitious climate change allegory which draws incoherently on the Bible, it’s messy and chaotic, but JL is a force of nature.

All the Money in the World

This is where they recast Kevin Spacey with Christopher Plummer so that audiences and Oscar voters wouldn’t be distracted by the misconduct allegations against the former. It’s based on the 1973 kidnapping ordeal of tragic John Paul Getty III in Italy, and how the boy’s tight-fisted billionaire grandpa had to have his arm twisted to pay the ransom.

Of all the movies I’ve just reviewed, this is the one with the most general appeal. It’s watchable, but there’s something airless about it.  It’s strongest point is Michelle Williams and her chemistry with negotiator Mark Wahlberg.

Blogger Appreciation Award

Last month, I was nominated for the Blogger Appreciation Award by the Green Onion Blog. How cool is that? Very Cool.

I would like to extend my thanks to the G.O.B AKA the blogging superhero Green Onion for this award. I love all things green and oniony.

Spring is finally on the horizon and hopefully the allergies that have wiped me out for the last few weeks will ease. Until Hay Fever season at least…

Now, I think I’m supposed to write a few things about when and why I started my blog. Briefly – I started this blog a little timidly in 2014. I had no idea what to write about, just that I had always wanted a creative career.

Last year I finally had the confidence to start blogging more regularly. I’m still a bit reticent, but I’m finding my voice at last. I’m not in a position to give any advice exactly, because my situation is of course very unique to me.

But if you’re lacking in confidence, take your time. (Or dive right in, what do I know?!) Eventually you find your niche and make new bloggy friends along the way.

This brings me to the fact that this award is an opportunity for bloggers to share a little appreciation around.

This is difficult really – I’m sure I’m not big enough or influential enough to really boost smaller sites, and I don’t want to pester busy bloggers with yet another award nomination. So I would just like to say that I appreciate the incredible knowledge and hard work of all the bloggers I follow, including The Green Onion Blog, Captain’s QuartersJason’s Movie Blog,  Raistlin0903, English Language Thoughts, & Oliver’s Twist and too many others to name!

BOOK REVIEW: Lion (A Long Way Home: A Memoir) by Saroo Brierley with Larry Buttrose

In 1980s India, five-year-old Saroo, like many small children in poor communities, looks after a younger sibling; he has special responsibility for his baby sister Shekila. He washes and feeds her, and plays games of peekaboo. Saroo’s streetwise big brothers, Guddu and Kallu, take care of each other and little Saroo.

With no father at home, their mother works on construction sites, carrying rocks and stones on her head in the baking heat. Despite this hardship, Saroo is lucky – his family are poor, but they are, Saroo will recall, “reasonably happy”.

Saroo’s mother is warm and kindhearted, and people in the dry, dusty central Indian town watch out for each other. The little boy loves flying kites, chasing butterflies and tagging behind his older brothers when they hustle for food and money.blogbooks2

On one longer jaunt with his eldest brother Guddu, an exhausted Saroo is left to nod off on a bench on a railway platform. When he wakes up, it is dark, and his brother has vanished. Saroo stumbles onto a waiting train and goes back to sleep.

Childhood memory can be unreliable, but suffice to say Saroo found himself alone and trapped on a moving train, carrying him 1,500km east to the megacity of Kolkata.

There, people mainly speak Bengali. Saroo speaks Hindi, and is unable to pronounce the name of his town or his last name. (It later turns out he was mispronouncing even his first name – his name is actually Sheru, or ‘Lion’ in Hindi.)

He spends a unbelievable three weeks on the streets until an older boy takes him to a police station. When attempts to establish his identity fail, he finds himself first in a frightening juvenile home, and then mercifully in the care of a adoption agency, ISSA, and then flown to his adoptive parents in Tasmania – Sue and  John Brierley.

From the impoverished child with broken teeth and a heart murmour, Saroo grows into a healthy and amiable adult, a “proud Tassie”. Yet he never forgets India or fully moves on. Nobody can find his original home until a new technology – Google Earth -leads him to months of searching, eventually reuniting him with his past.

My thoughts (updated after seeing the movie)*

This is a remarkable story that captured the attention of the world. Reading Lion, it’s impossible not to have compassion for little Saroo as he finds himself trapped and terrified, then lost amid Kolkata’s immense Howrah Station.

Despite the pitiless indifference and random cruelty of adults – not to mention some of the sinister near-misses he had on the streets – the adult Saroo says that his journey left him with a sincere belief in the goodness of people.

80,000 children go missing in India each year, yet Saroo does not seem to suffer from the survivor’s guilt that was the driving force in the film adaptation*. Instead he emphasizes the importance of grabbing opportunities when they are presented.

Lion may now be a major Oscar-nominated movie starring Nicole Kidman, but I’m very glad it jumped out at me from the bookshelf first.

🦁🦁🦁🦁🦁

Sunshine Blogger Award #2

This is the second time I’ve been nominated for the Sunshine Blogger Award, and this time it is thanks to Jason’s Movie Blog!! Hi Jason, hope all is well, sending you happy thoughts across the blogosphere.

The Sunshine nomination rules:

  1. Thank the person(s) who nominated you in a blog post and link back to their blog
  2. Answer the 11 questions sent by the person who nominated you
  3. Nominate 11 new blogs to receive the award and write them 11 new questions
  4. List the rules and display the Sunshine Blogger Award logo on your post and/or on your blog.

Here are my responses to Jason’s 11 questions:

  • Question #1 – What was your favorite movie of 2016?

I’d say Rogue One or Jackie.

  • Question #2 – What was your least favorite movie of 2016?

Tarzan was a waste of time.

  • Question #3 – What is your most anticipated movie of 2017?

The Last Jedi.

  • Question #4 – What is your favorite food?

Chocolate

  • Question #5 – If you could attend a 2017 movie premiere, what movie would it be?

Ghost in the Shell or…The Last Jedi.

  • Question #6 – And who would you bring with you?

I’d probably see if one of my fellow bloggers was around London and wanted to come along. I don’t really mix my writing and my real life.

  • Question #7 – Where do you rather venture to…. Narnia or Middle-Earth?

The childhood me would have said Narnia, but then those films happened. How do you get to Middle Earth? Middle Earth, depending on the travel arrangements.

  • Question #8 – Have you ever attended an advance screening for a movie?

There have been a few offers but I haven’t been able to.

  • Question #9 – Favorite movie quote?

“I am your father!” Ha ha, I don’t have one really! But I loved the conversation The Priest (the late John Hurt) has with Portman in Jackie.

  • Question #10 – Beyond blogging, what do you (as a job)?

Sleep a lot. No, I study!

  • Question #11 – Do you ever sneak in food / drinks when you go to the movies / cinemas?

Maybe.

Nominations: 

I’m just going to take the time to say hello to the following people. It’s been great to read your writing and even to interact on here from time to time. So hi, and thanks for all your posts!

My own questions, if anyone wants to run the nomination on their blog:

  • Favourite hero of fiction?
  • Early bird or night owl?
  • La La Land – overrated, yes or no?
  • Top travel tip?
  • Are there any words or phrases you overuse?
  • What is your idea of the perfect day?
  • Are there any movie/book genres you don’t watch/read?
  • You can only have movies or books. You would choose…
  • Any one thing that always motivates you to blog?
  • Fast reader or slow?
  • Is there a creative talent you wish you had?

That’s it guys! Thanks everyone. Lx

Amber Heard, her acting career and Johnny Depp

If you’re interested in the Johnny Depp/Amber Heard divorce saga, you’re probably pro-Johnny. According to predominant public opinion, he’s a Legend and she’s trying to smear his name and squeeze him for cash.

To put it mildly, this so-called ‘gold-digger’ doesn’t seem to have much of a fan base prepared to come to her defence.

So who is Amber Heard? Before she filed for divorce, I’d have thought:

  • she’s a mean Margot Robbie
  • she stars in dodgy Nicolas Cage movies
  • she’s married to an actor that isn’t Nic Cage, but is similarly weird and old enough to be her dad.

At the moment, she has a part to play in the expanding Warner Bros/DC cinematic universe. I say ‘at the moment’, because internet commentators are hoping she’ll lose her role as Mera in Justice League and Aquaman. Something to do with accusing Johnny Depp of domestic violence.

Amber got to know Johnny on the 2009 set of the film adaptation of Hunter S. Thompson’s novel The Rum Diary. She had beaten higher profile starlets like Scarlett Johansson and Keira Knightley for the very slight and purely decorative role of Depp’s love interest. She turned 23 during filming, Depp was 45.

The Rum Diary ranks as one of the biggest flops of Saint Depp’s career. (For a beloved icon, audiences aren’t interested when he isn’t doing silly walks and gimmicks.) I watched it a few days ago, and it’s actually an OK movie with some funny moments and enjoyable performances, especially from Depp and Richard Jenkins.

People have always questioned Amber’s motives for marrying the multimillionaire superstar, but Rum Diary-era Depp still looked like the handsome Johnny of old. (Officially, they didn’t start dating until 2012.)

Amber is very beautiful like Angelina Jolie or Marilyn Monroe, but cinema-goers haven’t been able to see any vulnerability or softness in her turns as yet another femme fatale, scream queen or hot chick.

She had a supporting role in The Danish Girl as a bohemian ballerina, where it was a genuine surprise to see her in genteel Oscar bait instead of genre fare. Amber seemed so grateful for the gig she got a bit overenthusiastic, but there was heart to the performance at least.

The clip below is of Amber as the young Charlize Theron in an upsetting scene from 2005’s North Country. She’s unrecognizable – more girl-next-door than the sex sirens she portrays now.

I really wanted to get a sense of Amber as an actress, which hasn’t been easy with her body of work. I expect she must be used to losing roles to Jennifer Lawrence, Margot Robbie and Kristen Stewart.

If marrying Depp was a planned career move, it was a bad one, because having your tabloid persona overshadow your work is pretty fatal for actresses.

Perhaps after her divorce she’ll no longer be a big-ticket gossip draw.

I still maintain she’s a little hard on the ears, but it’ll be interesting to see where she goes next.

Mini reviews: My favourite space heroines!

[*Update 20/10/16* I’m hoping more readers will find this post as we approach the release of Rogue One, which, like The Force Awakens, will star another female lead. Will Jyn Erso be as big a success as Daisy Ridley’s Rey?]

The Force Awakens is released this week!

And the latest installment of Star Wars looks set to have more active and intriguing female characters than either the originals or the prequels. Oscar-winner Lupita Nyong’o and Game of Thrones’ Gwendoline Christie will appear alongside the female lead, newcomer Daisy Ridley.

The production has been shrouded in secrecy, so little is known about their roles – but in honour of The Force Awakens, here are my favourite movies set among the stars, and the heroines they feature…

Prometheus (2012) 

It probably helps that I’m no scientist.

In fact, I was terrified of the school lab because of all the stories other pupils told me about accidental immolation and experiments gone wrong. Besides, the teacher was as scary as the Engineer Noomi Rapace tangles with in this Alien prequel.

Perhaps because of my unscientific bent, I can ignore some of the sillier twists, errors and logical issues in Prometheus.

I mean, I can appreciate that having an 8ft alien land on your abdomen after you’ve had a caesarean might hurt a bit more than it seems to here. Or that hand-to-hand combat, rappelling and running might be a tad impossible after surgery.

But while Rapace’s archaeologist Elizabeth Shaw isn’t as hard-as-nails as Sigourney Weaver’s Ellen Ripley (the “no weapons” stance to exploring an alien planet is annoying), she is a woman of epic determination.

She leads an expedition of doomed idiots to answer the biggest question of all: Why are we here?

Once the feeble team have been picked off, she dusts herself down and as the only mortal survivor of Prometheus she continues her quest for knowledge and truth.

The Empire Strikes Back (1980)

The Danish pastry hair buns debuted by Leia in Star Wars and the metal bikini she wore in Jedi are iconic. But I’ve always admired the white jumpsuit and loopy-braid hairdo combo she showcased on Bespin’s Cloud City, complete with blaster.

It’s a practical but chic get-up for her roles as soldier, spy, royal and diplomat.

Despite Carrie Fisher’s recent admission that she was, in fact, higher than the stars when she filmed Empire, Leia is at her best in this movie.

In the first film she’s a brash rebel who witnesses her entire home planet destroyed. By the final film, although still committed to her cause, she appears softer – much like Padme in Revenge of the Sith.

In Empire she is as combative as Han Solo, while starting to show actual feelings for the scene-stealing smuggler.

And given what we’ve been told about the development of the Star Wars plot, there are some uncertain nods to her true identity and origins.

While her brother has a reputation as one of cinema’s greatest whiners, and there are real moments where it looks like the men might not make it, there’s never any doubt Leia is a survivor.

Gravity (2013)

Watching Sandra Bullock spin through space, I unfortunately discovered that Gravity triggers vertigo, so it’s definitely not one I can go back to watch again and again.

Balance issues aside, this is a beautiful and thoughtful drama. Given the hype, the seven Oscars, and the theme of sheer adversity, I wasn’t expecting the movie to be so tender.

Grief-stricken following the loss of her young daughter, newbie astronaut Dr Ryan Stone finds herself stranded after debris wrecks her space shuttle. She must contend with a dwindling air supply, no communications with mission control and the loss of George Clooney.

Gravity is not sci-fi, and the fact that Stone is from our own present-day earth with our real technological limits makes her even more engaging than a character in a futuristic or fantastical setting.

Stone is self-reliant. She is human. She hallucinates and loses the will to live – and then summons it again.

The movie’s message is never give up, and that through perseverance you can achieve the impossible.

Inspiration and Blogging

When you don’t have the traditional support network of family and friends, chasing your goals is particularly challenging. And if, like me, you’ve also learned to be a private person, blogging and using social media can initially feel odd.

Yet people are achieving goals and connecting and helping others via Youtube, blogs and social media platforms. I workout to fitness-entrepreneur Cassey Ho’s Pilates videos and follow her blog for recipes and exercise plans.

Jaclyn Glenn has forged a career on Youtube, with videos centred on atheism and social issues. Although I do not agree with Glenn on everything, she is creating some of the clearest, most intelligent and compassionate content around.

I’ve found it easy to go beyond the ubiquitous fashion bloggers into, for example, the world of women who shoot. I’ve long been interested in the cultural and historical significance of firearms in the United States, and following various new social media stars and outspoken proponents of the Second Amendment offers fascinating insights not otherwise available through mainstream coverage.

So some of the most vibrant content providers, role models and entrepreneurs are internet personalities. Some of these successes are genuine celebrities now; they have ‘fans’ in the same manner as the more conventionally famous.

In a society that has somewhat snobby and contradictory ideas about the accepted paths to fame or success, this aspect of social media and blogging is an interesting one and a topic I may return to explore.

Having drawn so much inspiration and information from online commentators and creators, I decided to take the step from follower and consumer to active social media participant and blogger, and be a part of an incredible community.