Carey Mulligan is a modern Woman in Black
Promising Young Woman won a BAFTA for Outstanding British Film. Its writer-director is the London-born, Oxford-educated actress Emerald Fennell (Camilla from The Crown), with fellow Brit Carey Mulligan in the title role.
It’s the infamous tween twerking movie that sparked visceral online hatred and a rash of Netflix cancellations.
It’s hard to blog about Netflix shows like Stranger Things or The Crown. They’re period pieces, with sky-high production values. They’re well-acted and entertaining. What else is there to say about soothing nostalgia?
Following the murder of her 13-year-old sister Mattie, Sadie Hunter, 19, vanishes from their Colorado trailer park. Although radio star West McCray questions whether there’s a story in yet another runaway, he’s persuaded to follow the missing girl’s trail by her surrogate grandmother, May Beth.
Whaddya mean it’s Wednesday?!
I rarely give up on a book, so it’s been a challenge to come up with a post for this week’s Top Ten Tuesday. I’ve included books I ducked out of before committing, plus those I should have ditched! Just in case you don’t already know, TTT was created by The Broke and the Bookish in June 2010, then moved to That Artsy Reader Girl in January 2018.
As it’s a new year, Slow to the Party would like to swiftly wish everyone a Happy 2020!
The weather is depressing, but I’ve bravely left the safety of my bed to catch up with the sorta-latest flicks! Here are my smallish reviews. I’m not calling ’em mini reviews anymore.
At Halloween, a lot of bloggers do horror-themed posts. I’ve always avoided the genre, but something has changed lately, after I binge-watched three seasons of American Horror Story without flinching!
Now that I’m living my best, devil-may-care life, here are the scariest books and films I’ve…encountered recently.
I’ve hated most movies lately. Where I used to watch any old thing, I withstood two minutes of the latest Guardians of the Galaxy before switching off. I decided to ease myself back into film-watching with some of the latest, more highly-acclaimed movies – after all, Oscars are a sure indicator of quality, right?!
You’re in so much pain you pass out. Before you collapse, you’re pondering your unearned cultural privilege and reductive iteration of gender theory. Meet Frances: communist, poet, and narrator of Sally Rooney’s coming-of-age debut set in post-crash Dublin.
This is my first ever Top Ten Tuesday, a book blog meme created by The Broke and the Bookish in June of 2010, moved to That Artsy Reader Girl in January 2018. “Page to Screen” is this week’s topic. This is a list of books I’ve read, off the top of my head, that I’d like to see adapted/re-adapted, or are being adapted, etc…
It’s “Stunde Null” – zero hour – for a defeated Germany following WWII. Sadly for audiences of The Aftermath, time stands still.
While scuba diving on your dream honeymoon, you discover something sinister. Do you a) report it to the authorities b) speed away and pretend it didn’t happen, or c) get in way over your head?
The Shoebill is a prehistoric-looking bird that exists in the marshes of East Africa. Scientists know that these intensely private creatures rarely raise more than one chick; a second is insurance in case the older one doesn’t make it.
Recently, I read “You Think It, I’ll Say It.” It’s a new book of short fiction by Curtis Sittenfeld, an author whose work often features adult women still seething at the injustices of high school.
I live on an island, and I have to get a boat to see most of the cooler stuff on at cinemas. But with movies coming out so fast on digital platforms and DVD, why spend all that money on choppy trips to the multiplex?
London has never looked like a better location for a twee romantic comedy than it does at the start of the rebooted Tomb Raider, a capable origin story and actioner with no sense of humour or wonder.
“Mudbound is the Oscar movie we need right now,” admonished The Washington Post.
“Not another remake!” is a familiar online cry normally accompanied by declarations that Hollywood has run out of ideas.
There are certain things you just know about yourself – like whether or not you’d be cut out for daring interplanetary exploration. Personally, I can confidently say I wouldn’t be much good.
The live-action Ghost in the Shell is a box office dud then, and there are people who are really happy about that. Not necessarily because they are die-hard fans of the original Japanese manga and anime, but because of so-called “whitewashing”.