Tag Archives: Review

Amber Heard, her acting career and Johnny Depp

If you’re interested in the Johnny Depp/Amber Heard divorce saga, you’re probably pro-Johnny. According to predominant public opinion, he’s a Legend and she’s trying to smear his name and squeeze him for cash.

To put it mildly, this so-called ‘gold-digger’ doesn’t seem to have much of a fan base prepared to come to her defence.

So who is Amber Heard? Before she filed for divorce, I’d have thought:

  • she’s a mean Margot Robbie
  • she stars in dodgy Nicolas Cage movies
  • she’s married to an actor that isn’t Nic Cage, but is similarly weird and old enough to be her dad.

At the moment, she has a part to play in the expanding Warner Bros/DC cinematic universe. I say ‘at the moment’, because internet commentators are hoping she’ll lose her role as Mera in Justice League and Aquaman. Something to do with accusing Johnny Depp of domestic violence.

Amber got to know Johnny on the 2009 set of the film adaptation of Hunter S. Thompson’s novel The Rum Diary. She had beaten higher profile starlets like Scarlett Johansson and Keira Knightley for the very slight and purely decorative role of Depp’s love interest. She turned 23 during filming, Depp was 45.

The Rum Diary ranks as one of the biggest flops of Saint Depp’s career. (For a beloved icon, audiences aren’t interested when he isn’t doing silly walks and gimmicks.) I watched it a few days ago, and it’s actually an OK movie with some funny moments and enjoyable performances, especially from Depp and Richard Jenkins.

People have always questioned Amber’s motives for marrying the multimillionaire superstar, but Rum Diary-era Depp still looked like the handsome Johnny of old. (Officially, they didn’t start dating until 2012.)

Amber is very beautiful like Angelina Jolie or Marilyn Monroe, but cinema-goers haven’t been able to see any vulnerability or softness in her turns as yet another femme fatale, scream queen or hot chick.

She had a supporting role in The Danish Girl as a bohemian ballerina, where it was a genuine surprise to see her in genteel Oscar bait instead of genre fare. Amber seemed so grateful for the gig she got a bit overenthusiastic, but there was heart to the performance at least.

The clip below is of Amber as the young Charlize Theron in an upsetting scene from 2005’s North Country. She’s unrecognizable – more girl-next-door than the sex sirens she portrays now.

I really wanted to get a sense of Amber as an actress, which hasn’t been easy with her body of work. I expect she must be used to losing roles to Jennifer Lawrence, Margot Robbie and Kristen Stewart.

If marrying Depp was a planned career move, it was a bad one, because having your tabloid persona overshadow your work is pretty fatal for actresses.

Perhaps after her divorce she’ll no longer be a big-ticket gossip draw.

I still maintain she’s a little hard on the ears, but it’ll be interesting to see where she goes next.

Mini movie reviews for 2016!

It’s February. That means cold, freezing weather. It is also the culmination of the awards season. Yes, it’s nearly time for the biggest, glitziest celebrity ceremony of the year – The Oscars. Chilly, horrible weather, and awards season? I think I better start with…

THE MARTIAN

Ridley’s Scott’s latest space offering is set on the red planet, where things get pretty cold for NASA botanist Mark Watney (Damon) when he’s abandoned by the rest of his team, ET-style.

Setting the tone for the movie, Watney patches himself up after getting harpooned in the gut. It’s realistic and gritty, unlike my beloved Prometheus . They’re going to “science the shit” out of this one.

Based on the 2011 Andy Weir novel, the scenes on Earth are as dry as Martian soil. Luckily, whenever things get a bit lofty at NASA HQ, something goes wrong for Watney (not that I actively wanted him to suffer.)

Mars looks like a fab destination, and the astronauts have cool space suits in a kind of burnt amber that match the scenery. It’s not as good or moving as Gravity, but it’s still a fantastic ode to human endeavour and ingenuity,  human strength and the will to survive. Matt Damon is the Best Actor on Mars.

❄❄❄

SICARIO

A fictional war-on-drugs action crime thriller so brutal I wondered what I was doing watching it.

Idealistic young FBI agent Kate (Emily Blunt) is a kidnap response expert who makes a  gruesome discovery in Arizona. She gets hauled into a narcotics task force led by the morally ambivalent Matt (Josh Brolin), a DoD/CIA bod and his even shadier partner Alejandro (Benicio del Toro).

Blunt is wide-eyed and vulnerable – enough to be affecting, but not so much to be miscast as a door-kicker rolling with Delta Force. She’s the audience’s proxy, not driving the story forward so much as along for the ride; in this movie, the good guys fight dirty.

Del Toro is so enigmatic he makes waking up from a nap compelling. Kate can’t tear her eyes off him; neither can the audience. She appears attracted to him, even if he scares her. He wants to protect her, even as he threatens to kill her. Intense stuff.

❄❄❄❄

THE DANISH GIRL

Save all your tears for The Danish Girl, a lavish costume drama based on 1920s transgender pioneer Lili Elbe, who starts her journey as Einar, married to fellow painter/illustrator Gerda (Alicia Vikander).

They are devoted to one another, with a circle of friends who love to hear about their blissful wedded life. (An earsplitting, hyper Amber Heard cameos as ballerina Ulla, a confidante of the couple.)

But an unhappy Lili eventually meets a humane physician and becomes one of the first to undergo gender reassignment surgery, before antibiotics or immunosuppressive drugs. “I am… entirely… myself,” beams an unconvincing Redmayne from Lili’s sick bed.

Although it starts as a two-hander, The Danish Girl is more of a blank canvas for Alicia Vikander. But it’s got its timing right, and it’s bound to find an audience willing to treat it with reverence.

❄❄

ROOM

Little Jack and his poor Ma (Brie Larson) are locked in a soundproofed shed they call “Room”.

Their captor, Old Nick, snatched a teenage Joy Newsome seven years ago, before she gave birth to Jack in captivity. In the evenings, Old Nick visits with supplies and inflicts himself on Ma while little Jack sleeps in a closet.

Mother and son eventually pull off a rather implausible escape, and wake up in hospital with floor-to-ceiling windows overlooking a vast cityscape, which seemed like a rapid adjustment for two people used to a cramped room with only a skylight.

Other characters start piling in: Ma’s divorced parents, lawyers, doctors, television hosts, and this is where it loses its hold. Larson is off-screen in the final act as she recovers from a suicide attempt, and we’re left with screechy little Jack making cakes with grandma and getting a haircut.

❄❄

CAROL

Trapped behind a toy counter in a Manhattan department store for the holidays, Therese (trussed up in a Santa hat like a festive fawn) is dreaming of a creative life as a photographer. Across a blur of Christmas shoppers she locks eyes with a statuesque beauty: it’s Cate Blanchett, as the titular blue-blooded 1950s socialite.

Their acquaintance becomes a love affair – dangerous, especially if Carol’s husband Harge (Kyle Chandler) has anything to do with it. Hounded by his private investigators, Blanchett is a free spirit – although there’s definitely something predatory about her.

Every frame is beautiful, however, it is slow, restrained and elegant – the lack of right-on wrath may make it too removed for some.

❄❄❄

CRIMSON PEAK

I expected a subpar Victorian horror. I knew it had a pedigree, with stars Tom Hiddleston, Mia Wasikowska and Jessica Chastain directed by Guillermo del Toro, but Crimson Peak flopped at the box office.

Aspiring writer Edith’s (Mia) mother is dead, and her dad is a decent, bearded fellow – who’s got Brit aristo Hiddles trying to convince him to invest in his mining inventions.

Pa dislikes him and  his Bronte mean girl sister Chastain, but Edith marries Hiddles and returns to England to live at his crumbling estate, where gross red clay oozes through the walls and floorboards.

There’s a ghost, too, but although sinister, Crimson Peak doesn’t deliver shocks or scares like the Victorian Gothic The Woman in Black, and probably isn’t intended as a horror. It’s a dark costume drama, a weird Tim Burtonish fantasy and a brooding romance – I’m not sure. I wonder if anyone in charge of the marketing knew either.

The fab cast and the decomposing goo-mansion seem to breathe as one determined mess. Kudos to the movie’s strange warmth and passion, and to the best costumes.

❄❄❄❄

FILM REVIEW The Hobbit: The Battle of the Five Armies

The long journey from 310-page children’s book to incredible three-part movie extravaganza is complete. Originally conceived as two movies, The Hobbit trilogy could never be the epic that was The Lord of the Rings, with filmmakers mining material from Tolkien’s appendices.

Criticized for the excessive padding and thin plot, there is still joy simply in watching Bilbo’s story unfold onscreen, giving audiences the chance, one last time, to immerse themselves in Middle Earth.

The Battle of the Five Armies opens with the terrifying Smaug (voiced by Benedict Cumberbatch) unleashing vengeance upon the residents of Laketown, and again I’m astounded by the fortitude of kids in the audience – Smaug would have given me nightmares for years.

Smaug’s attack prompts some nifty heroics from Bard (Luke Evans) and his annoying offspring; Thorin is going mad in his mountain hall; Bilbo continues to be the brave little chap who won the respect and friendship of the dwarf king and his company.

Evangeline Lilly is Peter Jackson’s own addition to the elf race, Tauriel, and even manages to sell the tricky inter-species romance with dwarf Kili (Aidan Turner). And by tricky I mean I don’t know what Jackson and co were thinking when they came up with that abomination.

And finally! We get to see the magnificent elven King Thranduil (Lee Pace) in action. Of all the characters, he’s the one who catches my imagination the most.

One character with way too much screen time is Ryan Gage’s Alfrid. Pathetically endearing in the second movie, he’s now a thoroughly nasty piece of work jarringly deployed as comic relief. Luckily Billy Connolly’s voice work gets a few laughs as Dain, Thorin’s less-reasonable CGI cousin.

Again, that CGI! The prequel trilogy lacks the gravitas and grandeur of its sibling, but boy does it share its overindulgence in CGI.

Verdict: Looking for the positives here, but the actors are talented and the characters’ resolutions are poignant. If you just enjoy it for what it is – a silly fantasy movie, it’s OK, but fans of LOTR will be analyzing what went wrong for years.