Promising Young Woman won a BAFTA for Outstanding British Film. Its writer-director is the London-born, Oxford-educated actress Emerald Fennell (Camilla from The Crown), with fellow Brit Carey Mulligan in the title role.
I’ve hated most movies lately. Where I used to watch any old thing, I withstood two minutes of the latest Guardians of the Galaxy before switching off. I decided to ease myself back into film-watching with some of the latest, more highly-acclaimed movies – after all, Oscars are a sure indicator of quality, right?!
This is my first ever Top Ten Tuesday, a book blog meme created by The Broke and the Bookish in June of 2010, moved to That Artsy Reader Girl in January 2018. “Page to Screen” is this week’s topic. This is a list of books I’ve read, off the top of my head, that I’d like to see adapted/re-adapted, or are being adapted, etc…
When Alden Ehrenreich was officially cast as young Han Solo in the latest Disney Star Wars spin-off, the studio seemed oblivious that fan enthusiasm for this particular origin story wasn’t exactly sky-high.
There was lots of red in The Last Jedi, from the blood-coloured soil of Crait, to Snoke’s crimson throne room. And while critics were in raptures – Rian Johnson is an auteur don’t cha know – a lot of hardcore fans were left, well, seeing red.
To the Bone opens with two alien stick figures walking down a bright corridor. It’s peaceful, as the beings glide from the light towards the camera….and into a group therapy session/art class, where a girl is feigning righteous anger at magazines for promoting thinness.
The live-action Ghost in the Shell is a box office dud then, and there are people who are really happy about that. Not necessarily because they are die-hard fans of the original Japanese manga and anime, but because of so-called “whitewashing”.
Between 1989 and 1999, Disney released some of the most successful animated films of all time. Beauty and the Beast became the first animated film ever to receive a Best Picture Oscar nomination. Known as the Disney Renaissance, it created a lifelong obsession for many ’90s kids who took the characters and songs to their hearts.
Ransom Rigg’s YA fantasy Miss Peregrine’s Home for Peculiar Children sold millions and has been translated into 40 languages. Now Tim Burton’s adaptation has found a perch at the top of the US and international box offices.