Promising Young Woman won a BAFTA for Outstanding British Film. Its writer-director is the London-born, Oxford-educated actress Emerald Fennell (Camilla from The Crown), with fellow Brit Carey Mulligan in the title role.
It’s the infamous tween twerking movie that sparked visceral online hatred and a rash of Netflix cancellations.
It’s hard to blog about Netflix shows like Stranger Things or The Crown. They’re period pieces, with sky-high production values. They’re well-acted and entertaining. What else is there to say about soothing nostalgia?
Whaddya mean it’s Wednesday?!
I rarely give up on a book, so it’s been a challenge to come up with a post for this week’s Top Ten Tuesday. I’ve included books I ducked out of before committing, plus those I should have ditched! Just in case you don’t already know, TTT was created by The Broke and the Bookish in June 2010, then moved to That Artsy Reader Girl in January 2018.
This is my first ever Top Ten Tuesday, a book blog meme created by The Broke and the Bookish in June of 2010, moved to That Artsy Reader Girl in January 2018. “Page to Screen” is this week’s topic. This is a list of books I’ve read, off the top of my head, that I’d like to see adapted/re-adapted, or are being adapted, etc…
You’d imagine J.K. Rowling had earned enough goodwill that people might give her the benefit of the doubt. Yet even before the Fantastic Beasts sequel started filming, there was controversy over her support for tabloid-stricken star Johnny Depp, prompting director David Yates to release a statement via his agents Moony, Wormtail, Padfoot and Prongs…
It’s “Stunde Null” – zero hour – for a defeated Germany following WWII. Sadly for audiences of The Aftermath, time stands still.
When Alden Ehrenreich was officially cast as young Han Solo in the latest Disney Star Wars spin-off, the studio seemed oblivious that fan enthusiasm for this particular origin story wasn’t exactly sky-high.
A meteorite streaks past the camera. It carries an alien mineral, and it ain’t Vibranium. It smashes to Earth; the invasion of the planet has begun. Ground zero is covered by an iridescent dome called the Shimmer, which looks like a soap bubble, or a gigantic blister.
Those who enter don’t return.
London has never looked like a better location for a twee romantic comedy than it does at the start of the rebooted Tomb Raider, a capable origin story and actioner with no sense of humour or wonder.
I wish I hadn’t watched Wind River on a Saturday morning. It’s an evening movie; when it’s over, you can lock your doors, and pray you don’t have nightmares.
“Mudbound is the Oscar movie we need right now,” admonished The Washington Post.
“Not another remake!” is a familiar online cry normally accompanied by declarations that Hollywood has run out of ideas.
There was lots of red in The Last Jedi, from the blood-coloured soil of Crait, to Snoke’s crimson throne room. And while critics were in raptures – Rian Johnson is an auteur don’t cha know – a lot of hardcore fans were left, well, seeing red.
It’s 2007, before teen audiences would learn that Kristen Stewart was to be their Bella Swan. There’s so much acclaim for her tiny role in Sean Penn’s Into the Wild, you’d be forgiven for thinking the former child actress was being prepped for major stardom.
The search for a male star who can replace Harrison Ford continues. As the eponymous Valerian, Dane DeHaan is supposed to be a happy-go-lucky, square-jawed hero and roguish galactic agent.
To the Bone opens with two alien stick figures walking down a bright corridor. It’s peaceful, as the beings glide from the light towards the camera….and into a group therapy session/art class, where a girl is feigning righteous anger at magazines for promoting thinness.
There are certain things you just know about yourself – like whether or not you’d be cut out for daring interplanetary exploration. Personally, I can confidently say I wouldn’t be much good.
The live-action Ghost in the Shell is a box office dud then, and there are people who are really happy about that. Not necessarily because they are die-hard fans of the original Japanese manga and anime, but because of so-called “whitewashing”.
Between 1989 and 1999, Disney released some of the most successful animated films of all time. Beauty and the Beast became the first animated film ever to receive a Best Picture Oscar nomination. Known as the Disney Renaissance, it created a lifelong obsession for many ’90s kids who took the characters and songs to their hearts.
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