Tag Archives: book blog

7 Hair-Raising Books & Movies for ‘Halloween’

What scares me probably doesn’t scare you.

At Halloween, a lot of bloggers do horror or ghost-themed posts. I’ve always avoided the genre – not out of snobbishness – but because I always end up sleeping with the light on.

Something has changed lately, and I binge-watched three seasons of American Horror Story without flinching! I’m living my best, devil-may-care life.

This a post about some of the scary books and films I’ve encountered recently. Stuff that creeped me out for…reasons. Mostly I just want to do a round-up post.

ELI (Netflix)

Why is it scary? Well, it goes something like this:

Viewer: Oh goody, a standard ‘sick kid in a haunted house’ tale.

Eli: WE’LL SEE WHAT SATAN HAS TO SAY ABOUT THAT!!

I don’t know what they were smoking when they came up with this. Like Annihilation, it was originally a Paramount piece, dumped on Netflix when the studio didn’t know how to market it.

A SIMPLE FAVOUR by Darcey Bell

Why is it scary? It’s a gleeful little domestic suspense whose main character, Stephanie, is that terrifying breed: a mommy blogger.

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A Simple Favour feels like a younger, less elegant Gone Girl. When fashion PR Emily disappears, leaving her British husband Sean and their young son behind, her deluded ‘best friend’ Stephanie sets out to discover the truth.

Debut novelist Bell mercilessly satirises Stephanie’s ‘Captain Mom’ routine. Of course I’m not so happy about the way she writes about us Brits. I don’t know what we ever did.

We get the perspectives of Sean, Emily, and Stephanie – via her thoughts and her inane blog. Ahem. They’re all liars, for different reasons. Emily is reckless and predatory; Stephanie is an insecure dolt. (A “fuzzy bath mat pretending to be a person”, according to Emily.) Sean is…Sean.

Emily’s grand scheme is dumb, but it’s less a true mystery, more a biting satire.

A SIMPLE FAVOUR (movie)

Why is it scary? Directed by Paul ‘Bridesmaids’ Feig, the adaptation of Bell’s novel veers unevenly between black comedy and thriller.

The performances are fun – Emily’s (Blake Lively) unhinged fashion designer boss (Rupert Friend) makes a hilarious cameo. Lively is perfect for Emily, while Anna Kendrick’s Stephanie isn’t just a bath mat, as she evolves from timid mom in cat socks to confident crime solver.

Avoiding spoilers, but Kendrick’s mucky secret doesn’t work on the screen. It’s just plonked in a flashback, when it is waaaay too lurid to pass unexplored or without greater payoff.

THE FORGETTING TIME by Sharon Guskin

Why is it scary? Noah, 4, is Haley Joel Osment. Booted from preschool for talking about guns and..Harry Potter, he hates water, and wants his ‘other mommy’.

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When Noey’s (ugh) doctors suggest schizophrenia (!) hysterical ‘mommy-mom’ Janie contacts past life investigator Dr Jerry Anderson. (Guskin includes excerpts from work by UVA’s Dr Jim Tucker, who inspired the book.)

Janie is dim for an architect, and rude and ungrateful to dementia-stricken Jerry, who is racing to finish his research. I felt greater investment in him as he considers his life, and tries to solve the mystery of Noah’s memories.

Early interactions with secondary characters involve many ‘encouraging smiles’ and eyes ‘welling with concern’ or ‘shining with sadness’. Once it gets going though, it’s an intelligent and thoughtful story about three families’ grief.

SERENITY

Why is it scary? The marketing department hawked it as neo-noir. I saw the trailer, and I swallowed the bait hook, line and sinker. It’s notorious for its stupid ‘twist’.

Set on a fictional tropical island, washed-up war vet Dill toils as a fisherman/gigolo, obsessed with catching a tuna he’s named Justice. Poor Djimon Hounsou is stranded as first mate and conscience.

Sexy thriller undercurrents arrive with Dill’s femme fatale ex Anne Hathaway, who wants him to have an ‘accident’ at sea with her abusive husband, Jason Clarke.

Then it gets really weird. I want to say this movie should be canned but Clarke blames culture-wide resistance to experimental, ambitious films. Hmm. Maybe like Eli, it could have found fame on Netflix.

LULLABY (THE PERFECT NANNY) by Leila Slimani

(translated by Sam Taylor)

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Why is it scary? It’s the infamous killer-nanny book that won prestigious awards and was one of the most hyped books of 2018.

I was worried it would be tacky or exploitative, but it’s a darkly literary novel, which explores themes of race, class, motherhood and domesticity.

The Moroccan-French Slimani is incredibly clever, and the prose is sublime – but I wasn’t sure the author had full grasp of her villain.

PET SEMATARY

Why is it scary? It’s not. But Jason Clarke plays another bad dad/husband.

I’ve never read any Stephen King (remember I have to sleep with the light on) but apparently King himself hails this as one of the best adaptations of his books.

Somehow, I’ve managed to watch The Shining, and in comparison, Pet Sematary seems like basic horror.

There are some well-publicised changes. The ‘child’ isn’t the toddler son but the older girl – and the young actress, Jeté Laurance, is excellent and would be perfect casting for a Greta Thunberg biopic.

Top Ten Tuesday – Childhood Favourites

Hello all, and a belated happy new month!

It’s Top Ten Tuesday again – it happens every week – and today, it’s Childhood Favourites. Here are mine:

Tim and the Hidden People

by Sheila K McCullagh. Tim finds a magic key which enables him to see the Hidden People. I came across this ancient class reader series in some dusty attic. Dark and atmospheric, with wonderful artwork. So began my love of all things fantasy.

The Secret Island

by Enid Blyton. I was given my first book token and I picked this! The Secret Stories were a forerunner to the more famous Famous Five series. Three siblings escape cruel relatives to live on a secret island, which is the start of their adventures with Prince Paul (!) of Baronia. I would go on to read a lot of Blyton, but this stayed with me the most.

Mrs Frisby and the Rats of NIMH

by Robert C. O’Brien. Talking animals didn’t interest me. I never liked Beatrix Potter or Wind in the Willows. OK, I liked The Animals of Farthing Wood by Colin Dann, but the mystery of the secretive colony of rats at the centre of O’Brien’s Newbury medal-winner captivated me.

Moondial

by Helen Cresswell. When you think of stately homes, what comes to mind? TIME TRAVEL, that’s what. I’d mention A Traveller in Time by Alison Uttley, and Tom’s Midnight Garden by Philippa Pearce here too.

Five Children and It

by E. Nesbit. The first in a trilogy. Five kids staying at their uncle’s mansion discover a bad-tempered sand fairy who can grant wishes. Wishes go wrong! I also loved Nesbit’s The Treasure Seekers, featuring the adventurous Bastable children.

The Chrestomanci Series ‘Witch Week’

by Diana Wynne Jones – author of Howl’s Moving Castle. Part of the Chrestomanci series, Witch Week is set in a parallel world, similar to ours, where magic is common! Off the top of my head, Jones’ Archer’s Goon, A Tale of Time City, and The Dalemark Quartet brightened my childhood.

The Chronicles of Narnia

by C.S Lewis. I don’t recall loving Lewis’ writing. But despite that, and my ‘talking animals’ prejudice, there’s no denying the pull that Narnia had on me.

Midnight is a Place

by Joan Aiken. This historical melodrama lays it on a bit thick: wronged orphans, bad-tempered guardians, vast mansions…I loved it, and also Aiken’s alternate history The Wolves of Willoughby Chase.

The Children of the New Forest

by Frederick Marryat. My maternal grandfather’s favourite – given to me as a present. It’s England, the Civil War, and the Beverley orphans escape the Roundheads and hide in the forest. Other classics I loved: Alcott’s Little Women, The Prince and the Pauper by Twain, and the slightly later The Secret Garden by Frances Hodgson Burnett.

When Hitler Stole Pink Rabbit

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The Silver Sword by Ian Serraillier

by Judith Kerr. WWII historical fiction dominated heavily in my reading. Pink Rabbit was probably my favourite, but I also loved Carrie’s War by Nina Bawden, The Silver Sword by Ian Serraillier, and The Cay, by Theodore Taylor. Plus I am David by Anne Holm, set a little later.

Soon it was paranormal romance! But also Brontë, George Elliot, and Rebecca by Daphne de Maurier.

So that’s my 10…OK I cheated a bit! xLx

Book Reviews Sally Rooney – NORMAL PEOPLE are overrated

You’re in so much pain you pass out. Before you collapse, you’re pondering your unearned cultural privilege and reductive iteration of gender theory. Meet Frances: communist, poet, and narrator of Sally Rooney’s coming-of-age debut set in post-crash Dublin.

Frances and BFF Bobbi study at the elite Trinity College. They encounter 30-something photojournalist Melissa, who introduces them to her actor husband Nick and their arty social set.

While Bobbi gets cliquey with Melissa, Frances has a desultory affair with the handsome yet passive Nick, who suffered a breakdown.

Before college, the girls attended high school together, where Bobbi scrawled “fuck the patriarchy” on a wall near an image of a crucifix. (She’s a rich anarchist who browbeats her fellow students with her “remorseless intelligence”.)

When not joining Bobbi in putting the world to rights on everything from gender roles to capitalism and police brutality, Frances self-harms, and mops up after her violent alcoholic dad. Bobbi ‘compliments’ her by saying she doesn’t have a “real personality”.

Frances has insecurities about her looks and working-class background, but consoles herself she’s smarter than other people. “I’m going to become so smart that no one will understand me…” she daydreams, leafing through A Critique of Postcolonial Reason.

It would be OK if Friends were a biting Millennial satire. But it’s as earnest as its characters, and like being battered round the head with that copy of Postcolonial Reason.

I can see why it would appeal to young female readers who identify with Frances’ self-esteem woes. It’s much, much darker though – in terms of mental health – and full of doctorate level gobbledygook. Hardly the witty, sparkling delight people have been cooing over.

Normal People

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The couple who mope together…

Normal People’s third person narrative is shared between Marianne and Connell.

Connell’s mother cleans for Marianne’s rich family. At school, he’s a popular soccer player, while Marianne is an outcast. Terrified of what other people think, he ignores her, setting up a tortured on/off romance.

They leave small-town Ireland for Trinity College, where (like Frances and Bobbi) they’re the two smartest people enrolled. Aspiring writer Connell is further alienated by his working-class background, and suffers a breakdown.

Marianne revels in her isolated perch, with the scholarship exams a matter of needing her “superior intellect to be affirmed in public.” In another Friends retread, she’s beaten at home, this time by a brother.

During an on-again phase (and in an echo of Frances and Nick) Marianne (who feels herself “degenerating, moving further and further from wholesomeness, becoming something unrecognisably debased”) asks an uncomfortable Connell to hurt her during sex.

Described as a ‘modern love story’, it puts you through the wringer: depression, self-harm, suicidal thoughts, domestic violence, abusive boyfriends, death, predatory schoolteachers, BDSM. If this is a modern love story, do count me out.

Rooney again nails Millennial hangups, and doesn’t challenge them. She’s a young voice emerging ahead of the pack, pale and interesting in interviews, so smart you can barely understand her.

Top Ten Tuesday: Adapt This! Page to Screen

This is my first ever Top Ten Tuesday, a book blog meme created by The Broke and the Bookish in June of 2010, moved to That Artsy Reader Girl in January 2018.

“Page to Screen” is this week’s topic. This is a list of books I’ve read, off the top of my head, that I’d like to see adapted/re-adapted, or are being adapted, etc…

Circe by Madeline Miller This current bestseller about Circe, daughter of Helios, Greek god of the sun, has already been optioned for a TV series. May the gods descend from the heavens if they stuff it up!

Life after Life by Kate Atkinson This is one of my favourite novels, with its historical family saga meets Sliding Doors-style alternate timelines. I’d love to experience this atmospheric novel up on screen.

The Book of Strange New Things by Michel Faber They did an Amazon pilot on this, starring Rob Stark from Game of Thrones. It’s the most melancholy book I’ve read (FYI Faber’s Under the Skin became a cult classic starring Scarlett Johansson).

Eleanor Oliphant is Completely Fine by Gail Honeyman would make a fine movie if they get the tone right. It’s already been snapped up by Reese Witherspoon…sure. I don’t know why, but I got a slight Mike Leigh/Happy-Go-Lucky vibe.

Leia, Princess of Alderaan This is a YA Star Wars canon novel by Claudia Gray. I think Solo was doomed because fans just didn’t want a movie centered on Han. A series or a movie about a young Leia? A surprise to be sure, but a welcome one.

After Mrs Rochester This is actually a play Polly Teale wrote after adapting Jane Eyre for stage. It’s based on the troubled life of Jean Rhys, writer of Wide Sargasso Sea. We’ve had Colette, so why not Rhys?

Gates of Fire Rights to Steven Pressfield’s historical epic about the Battle of Thermopylae were acquired by George Clooney’s production company years ago, before vanishing into antiquity. Here’s a good article about why Gates of Fire never made it to the big screen.

Red Sparrow by Jason Matthews I did a post about the Jennifer Lawrence movie and the book it was based on. The film..and even the book (first in a trilogy) have a certain ick factor, but there’s still potential for a TV series about spy/ballet dancer Dominika.

The Aftermath by Rhidian Brook. Only recently done, but attempt #1 was dull, and they could redo in ten years! I know they have to alter things for screen – my only unfulfilled expectation was not to be bored out of my ever-loving skull.

The Bell Jar by Sylvia Plath is Kirsten Dunst’s proposed directorial debut. While I’ve great faith in Dunst (who has co-written the script) as an actress, this is a huge challenge!

**Lx**

RED SPARROW: Book vs Movie Review

Jennifer Lawrence stars in this grisly thriller as Dominika, a Bolshoi prima ballerina whose dance career is kiboshed when her clumsy partner (Sergei Polunin from Orient Express) delivers a gruesome, bone-shattering injury during a live performance.

Dominika’s uncle Vanya doesn’t believe in bad luck. High up in Russian Intelligence, he lets her know that her dance partner is shagging her understudy, so Dominika clubs them with her walking stick.

After forcing her to seduce a gangster in scenes that end in a bloodbath, Vanya recruits his niece for sexpionage, shipping her off to become a ‘Sparrow’. She is eventually deployed to Budapest to entrap a CIA agent called..drum roll..”Nate Nash” – yes really – who is handling a Russian mole, code named MARBLE.

Who is MARBLE? I’m not saying, but Nate Nash shares more chemistry with them during a brush-past in a nighttime park than he does in an entire movie with JLaw, who has unfortunate magnetism with Uncle Vanya (Matthias Schoenaerts).

The comparison was inevitable, but Red Sparrow isn’t a Black Swan-style psychological thriller. It’s also not the action movie you might expect – there aren’t any scenes where Dominika uses her dance skills to shimmy between laser beams or strangle adversaries with her thighs.

Instead it’s a bleak thriller that defines itself with icky, graphic nudity and sadistic violence, all while garroting itself with gibberish like the scene where Dominika alters her appearance with a home hair dye kit, transforming from raven to platinum. If only!

It doesn’t help the authenticity, especially when it’s perhaps a stretch to buy the premise that a limping Moscow ballet star could slip undercover for Mother Russia.

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Red Sparrow by Jason Matthews (2013)

Director Francis Lawrence decided against having an actor portray the real-life Russian president in the movie, because he was too scared it would have been a “different movie”! (Like that would have been a bad thing?!)

Putin does get to feature in Jason Matthews’ 2013 novel. The movie had already set the barre (haha) pretty low for me, so I really only expected a trashy airport read. But the author is former CIA, and the novel bristles with tradecraft and insights into modern Russia.

Dominka is born into privilege – her parents a revered former musician and a revered academic – and she’s a child prodigy with the curious gift of synaesthesia.

She studies at the Bolshoi Ballet Academy, until a rival ends her promising future. When her father dies, her uncle reels her into his dirty work before offering her a clerical role, which she rejects, demanding entry to the Foreign Intelligence Academy (AVR) – the first woman to be admitted.

Book Dominika is fiercely idealistic and patriotic, wanting to serve her country in an elite job. She finds herself belittled as a female operative and abused and betrayed, before she turns double agent, whereas movie Dominika is more out for herself.

She spars with Nate over politics, but ultimately their romance felt pretty tepid on the page too. Uncle Varya doesn’t look like Matthias Schoenaerts, and there are no incest overtones.

It’s still quite icky, and they torture the shit out of people – the filmmakers didn’t go out on a limb in that regard! But it’s an ambitious thriller that might have been improved with a series.

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Book Reviews Blog

Would you rather…

Although I’ve technically had this blog for a few years, I’ve only been well enough to put more time in recently. My goal is to post every week, but I’ve been too weak this, er…week, so I’m rather grateful to Sara @ The Bibilophagist for this open book-related tag!

WOULD YOU RATHER…

1. Rather read only a series or stand-alone books?
Stand-alone books.

2. Rather read a book whose main character is male or female?
I notice that I tend to pick books with a female main character. I seem more likely to gravitate to female-led stories and authors, but I don’t feel I have an active preference, if that makes sense.

3. Rather shop only at Barnes & Noble (or another actual bookstore) or Amazon?
I find buying online is cheaper.

4. Rather all books become movies or tv shows?
The TV show format is clearly more attractive, because you have more time. Especially now where you have streaming shows and you can watch 10 plus hours in one go.

5. Rather read 5 pages per day or read 5 books per week?
I salute bloggers who read 5 books a week! I would love to read 5 books a week, but I give myself a pat on the back if I manage two books a week, max. So I’d have to say 5 pages. 😦

6. Rather be a professional book reviewer or an author?
I want to be an author. I am working on it, and it’s one of the reasons I haven’t blogged as much as I would like, because I just don’t have the strength to focus on my writing projects and my blog. 🤕🤒

7.  Rather only read the same 20 books over and over or get to read a new book every 6 months?
Ugh. Neither. But I’d rather get a new book every 6 months.

8. Rather be a librarian or own a bookstore?
I think I would be best suited to owning my own book shop. It would be very interesting.

9. Rather only read your favourite genre or your favourite author?
My favourite genre for sure. I would be unhappy restricted to one author.

10. Rather only read physical books or eBooks?
I love the feel and the smell of new books. On the other hand, eBooks are instantly available on download, and they make it so much easier to make notes. Sadly, I’d have to choose eBooks.


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All seriously neglected, but I’m trying to get into the swing. I follow back all book, movie and writing accounts! Lx