Promising Young Woman won a BAFTA for Outstanding British Film. Its writer-director is the London-born, Oxford-educated actress Emerald Fennell (Camilla from The Crown), with fellow Brit Carey Mulligan in the title role.
As it’s a new year, Slow to the Party would like to swiftly wish everyone a Happy 2020!
The weather is depressing, but I’ve bravely left the safety of my bed to catch up with the sorta-latest flicks! Here are my smallish reviews. I’m not calling ’em mini reviews anymore.
I’ve hated most movies lately. Where I used to watch any old thing, I withstood two minutes of the latest Guardians of the Galaxy before switching off. I decided to ease myself back into film-watching with some of the latest, more highly-acclaimed movies – after all, Oscars are a sure indicator of quality, right?!
The CW’s Mary Queen of Scots soap opera Reign took an axe to historical accuracy. Yet beneath the fashion and fantasy, the vital beats were there; Adelaide Kane’s Mary married the Dauphin of France, before returning to a turbulent Scotland as a teen widow.
You’d imagine J.K. Rowling had earned enough goodwill that people might give her the benefit of the doubt. Yet even before the Fantastic Beasts sequel started filming, there was controversy over her support for tabloid-stricken star Johnny Depp, prompting director David Yates to release a statement via his agents Moony, Wormtail, Padfoot and Prongs…
It’s “Stunde Null” – zero hour – for a defeated Germany following WWII. Sadly for audiences of The Aftermath, time stands still.
Jennifer Lawrence stars in this grisly thriller as Dominika, a Bolshoi prima ballerina whose dance career is kiboshed when her clumsy partner (Sergei Polunin from Orient Express) delivers a gruesome, bone-shattering injury during a live performance.
I live on an island, and I have to get a boat to see most of the cooler stuff on at cinemas. But with movies coming out so fast on digital platforms and DVD, why spend all that money on choppy trips to the multiplex?
When Alden Ehrenreich was officially cast as young Han Solo in the latest Disney Star Wars spin-off, the studio seemed oblivious that fan enthusiasm for this particular origin story wasn’t exactly sky-high.
A meteorite streaks past the camera. It carries an alien mineral, and it ain’t Vibranium. It smashes to Earth; the invasion of the planet has begun. Ground zero is covered by an iridescent dome called the Shimmer, which looks like a soap bubble, or a gigantic blister.
Those who enter don’t return.
London has never looked like a better location for a twee romantic comedy than it does at the start of the rebooted Tomb Raider, a capable origin story and actioner with no sense of humour or wonder.
The Hollywood Reporter recently pointed out the obvious; even Jennifer Lawrence can’t open a movie. Studios don’t look to big star names any longer, but to brands like Marvel.
One of the great mysteries of the Harry Potter spin-off Fantastic Beasts and Where to Find Them, was how a movie that gained rave reviews, crossed the $800 million milestone, and gained an ‘A’ CinemaScore came to be considered ‘lacklustre’.
I wish I hadn’t watched Wind River on a Saturday morning. It’s an evening movie; when it’s over, you can lock your doors, and pray you don’t have nightmares.
“Not another remake!” is a familiar online cry normally accompanied by declarations that Hollywood has run out of ideas.
There was lots of red in The Last Jedi, from the blood-coloured soil of Crait, to Snoke’s crimson throne room. And while critics were in raptures – Rian Johnson is an auteur don’t cha know – a lot of hardcore fans were left, well, seeing red.
It’s 2007, before teen audiences would learn that Kristen Stewart was to be their Bella Swan. There’s so much acclaim for her tiny role in Sean Penn’s Into the Wild, you’d be forgiven for thinking the former child actress was being prepped for major stardom.
The search for a male star who can replace Harrison Ford continues. As the eponymous Valerian, Dane DeHaan is supposed to be a happy-go-lucky, square-jawed hero and roguish galactic agent.
There are certain things you just know about yourself – like whether or not you’d be cut out for daring interplanetary exploration. Personally, I can confidently say I wouldn’t be much good.
The live-action Ghost in the Shell is a box office dud then, and there are people who are really happy about that. Not necessarily because they are die-hard fans of the original Japanese manga and anime, but because of so-called “whitewashing”.
