While scuba diving on your dream honeymoon, you discover something sinister. Do you a) report it to the authorities b) speed away and pretend it didn’t happen, or c) get in way over your head?
Sadly some people – like film school grad Erin and her jobless banker husband Mark – don’t make good choices.
Catherine Steadman’s debut isn’t exactly a hidden gem. In the UK I couldn’t avoid the hype, and across the pond it was a New York Times Bestseller and a Reese Witherspoon book club pick. (Steadman is an accomplished actress herself, with Downton Abbey among her credits.)
With Witherspoon’s new production company Hello Sunshine set to make the Something in the Water movie, normally I would have been all over this like a shark in a feeding frenzy, but it was described as a ‘beach read’, which put me off.
Luckily, I took the plunge when Jonetta @Blue Mood Cafe recommended it!
After a much-admired opening chapter, we head backwards as our narrator Erin plans an exclusive London wedding and a honeymoon on Bora Bora, with sumptuous descriptions of super-first class travel and deluxe wedding menus.
Their showy lifestyle is funded by Mark’s job in investment banking, while Erin has a creative background and is working on a documentary about prisoners on the verge of release.
Her greatest catch is gangland legend Eddie Bishop, who knows a scary amount about Erin. But she has bigger problems; before the honeymoon, Mark lost his job in spectacular, escorted-from-the-building-by-security fashion.
Then they find something in the water that could literally change their fortunes forever – if they’re smart. Ahem.
The narrative is shadowed by the fear and mistrust caused by the financial crash, and the subtleties of the class system. When Erin visits the home of another one of her prisoners, she is paranoid about sounding condescending or bourgeois.
Yet while Mark – used to babysitting wealthy clients – flies First Class like it’s no big deal, Erin is a fish out of water. She quickly learns that having real money isn’t all about buying nice things, so much as it’s about avoiding the rules.
The sickly way Mark talks to Erin – like she needs constant soothing and reassurance – grates, but then she really ramps up the stupid, making rookie criminal mistakes (not that I’m an expert!) and being really, really slow on the uptake, so maybe he was right.
I know some readers expected more confrontation or climax, but the story is less about who the bad guys are and what they want, and more about what greed and dishonesty do to normal people, and how much we ever truly know each other, even that stunning Millennial couple with the perfect life.
“Careful what you wish for…”