Over the last few weeks, I’ve noticed that a lot of traffic has come from searches for The Young Pope.
Where are the weekly recaps? There were previews and reviews for the first two episodes which screened at the Venice Film Festival, but after that, nada – a vow of silence. (This will likely change when it reaches its US air date on January 15.)
In the UK there hasn’t been the online discussion like with Westworld, although the Sun tabloid ran an article about Jude Law’s titular (haha) Pope grabbing the breast of Ludivine Sagnier’s character (he didn’t).
Many Twitter users said they couldn’t understand the show and dropped it. I don’t want to give too much away here, but to be clear – trailers for The Young Pope may indicate a stylish drama full of political intrigue, but if you’re expecting House of Cards in the Vatican, you’ll be frustrated.
This is true especially of the early episodes. I confess I almost gave up on Paolo Sorrentino’s swirling ten-hour art movie after the third/fourth episodes. But episodes five, six and seven have been exceptional – as scheming cardinals, slimy politicians and insubordinate monks all get their comeuppance at the hands of the “diabolical” Pope Pius XIII.
- The Young Pope isn’t a party Pope
What is it about?
Originally Lenny Belardo from New York, he was chosen to be a “photogenic puppet” – a bridge between progressive and conservative elements in the Church. He decided to go rogue, much to the horror of everyone, especially the manipulative, strangely lovable Secretary of State Voiello (Silvio Orlando).
Pius XIII doesn’t want any “part-time believers”, instead envisioning an inaccessible church for the few. Intolerant of homosexuality, and fiercely anti-abortion, he intends to remain elusive – unseen, never approached by anyone outside his inner circle. But Pius is also possessed of compassion, as we see in his dealings with Esther (Sagnier), the seemingly-infertile wife of a Swiss Guard.
Nonetheless, as of episode seven, Pius has made himself very unpopular with the press, the rest of the church, a billion Catholics, other faiths…the list goes on.
His conservatism and religiosity stem from his abandonment by his hippy parents, and even Sister Mary (Diane Keaton), who is his surrogate mother and biggest supporter, fears that his papacy is a calamity for both the man and the future of the church.
Can such a damaged man with his own personal demons be the spiritual leader of a billion people?
The Young Pope is dreamlike, introspective and darkly funny. Sometimes it’s like a documentary set in the halls of a glossy fashion mag. Watching Pius XIII stalking the Vatican corridors in his gold, finery and shades, all he needs is maybe a handbag and he’d be Anna Wintour. (Hollywood Reporter called him an “icy control freak”.)
I mean, for someone who banned cameras, Pius is really putting his mark on the papal wardrobe. Red shoes? Check. He’s even decreed that the papal tiara is IN this season.
And the best thing of all? That soundtrack. Divine.