Dakota Fanning talks American Pastoral, The Bell Jar and sibling rivalry with The Edit

Dakota Fanning perhaps isn’t as mega-famous as contemporaries like Jennifer Lawrence, but for years I’ve seen people rave about her talents as a child and teen actress.

Dakota’s got a new movie out, American Pastoral, which is directed by Ewan McGregor and adapted from the Pulitzer Prize-winning Philip Roth novel. I was planning to read the book, although I’m not sure whether to see the film first.

Anyway, Dakota really manages to carry off a stunning gothic look for Net-a-Porter’s online magazine The Edit:

In her interview, Dakota mentions her American Pastoral character Merry, who becomes radicalized during the turmoil surrounding the Vietnam War. Dakota’s taken on darker roles and more adult roles before, but could this be the breakthrough role that showcases her as a major “grown-up” star?

One thing that Dakota’s phenomenal career has done was pave the way for her younger sister Elle to launch a Hollywood career. Although there isn’t any evidence of a rift, people automatically suspect that there is rivalry between the two. In her interview she says:

“People unfortunately love to see conflict. And if it’s between family? Between sisters? Even better. The assumption that we’re really competitive, that people even ask that, is horrible. It’s implied our family [is] torn apart by jealousy.”

Dakota goes on to say that they don’t really look similar, which is true – Dakota’s look is much more mutable, and she’s the more ‘relatable’ of the two. (I would have thought Dakota’s closest competition would be Saorise Ronan?)

She also reminds me of another, slightly older former child actress – Kirsten Dunst. Dakota mentions Kirsten and the project they are working on together – an adaptation of Sylvia Plath’s The Bell Jar. Apparently, Dakota hired Kirsten (“We vibe so much”) to direct the new adaptation of Sylvia Plath’s only published novel, which Dakota herself is co-producing and starring in.

It’s a confident shoot and interview, and she certainly sounds a lot more together (or better advised) than Kirsten did at that age.

Apparently Dakota gets asked a lot in interviews why she never went off the rails like so many child stars before her. (Perhaps she was fortunate to have never had the negative experiences that some vulnerable showbiz kids suffer? Better support networks? A personality that responds better to the pressures of fame? Who knows.)

Got to admit, Dakota’s pretty impressive, and I’m looking forward to seeing American Pastoral. It’s getting some really bad reviews from the critics, although I’ve heard audiences find it a slightly more worthwhile experience.

Check out Dakota’s interview over at Net-a-Porter!

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