Speaking to Nylon mag back in 2004, Kirsten Dunst dared to criticize Gwyneth Paltrow’s portrayal of poet Sylvia Plath – and Goop has done nothing to her for this insolence.
Now Kirsten (above in the sublimely terrifying Melancholia) is going to make her feature film directorial debut with an adaptation of Plath’s only published novel, The Bell Jar. Kirsten has already directed two shorts and will also pick up a co-writer credit for this latest project.
For some, Plath’s book ranks as ‘unfilmable’ and is best left well enough alone. A 1979 version seems largely forgotten, probably for good reason. But Kirsten’s a Hollywood veteran, and one of the most talented and confident stars working today.
She broke out around the same time as Natalie Portman – Kirsten the vengeful bloodsucker trapped in a eternal child’s body in Interview with the Vampire, Natalie a juvenile assassin with a killer bob haircut in Léon.
Because they got their starts playing tough adult roles, they were never really pigeonholed as child stars. While Natalie remained scandal-free, famously attended Harvard and bagged an Oscar, Kirsten’s image got a bit tarnished. The gossip blogger Perez Hilton nicknamed her “Kiki Drunkst” – when actresses, more so than their male counterparts, have to be very protective of their reputations.
Kirsten has made movies even a serious fan wouldn’t touch, things that she has said she’d love to erase, and a truly critically celebrated performance escaped her until Lars von Trier’s Melancholia won her Best Actress at Cannes in 2011.
But now there’s also an Emmy nomination for her performance in the second season of the FX series Fargo, which really played to her strengths with its intelligent, sharp dialogue and black comedy. “It’s nice to promote something and not have to lie about it,” she said on Jimmy Kimmel Live!
I kind of admire her more for the messiness of her CV as opposed the careful way less-talented actresses build their careers so precisely.
I used to read one super-knowledgeable film buff who argued that the greatest actresses go through ups and downs with the public. The risks they take and their vulnerability mean audiences don’t always understand and appreciate them.
Kirsten has been candid about her struggles with depression, the pressures put on famous actors and about the lack of guidance she had in her career.
Although The Bell Jar seems like a massive challenge, hopefully Kirsten’s talent and experiences – both personal and professional – will translate to success.