[*Update 20/10/16* I’m hoping more readers will find this post as we approach the release of Rogue One, which, like The Force Awakens, will star another female lead. Will Jyn Erso be as big a success as Daisy Ridley’s Rey?]
The Force Awakens is released this week!
And the latest installment of Star Wars looks set to have more active and intriguing female characters than either the originals or the prequels. Oscar-winner Lupita Nyong’o and Game of Thrones’ Gwendoline Christie will appear alongside the female lead, newcomer Daisy Ridley.
The production has been shrouded in secrecy, so little is known about their roles – but in honour of The Force Awakens, here are my favourite movies set among the stars, and the heroines they feature…
It probably helps that I’m no scientist.
In fact, I was terrified of the school lab because of all the stories other pupils told me about accidental immolation and experiments gone wrong. Besides, the teacher was as scary as the Engineer Noomi Rapace tangles with in this Alien prequel.
Perhaps because of my unscientific bent, I can ignore some of the sillier twists, errors and logical issues in Prometheus.
I mean, I can appreciate that having an 8ft alien land on your abdomen after you’ve had a caesarean might hurt a bit more than it seems to here. Or that hand-to-hand combat, rappelling and running might be a tad impossible after surgery.
But while Rapace’s archaeologist Elizabeth Shaw isn’t as hard-as-nails as Sigourney Weaver’s Ellen Ripley (the “no weapons” stance to exploring an alien planet is annoying), she is a woman of epic determination.
She leads an expedition of doomed idiots to answer the biggest question of all: Why are we here?
Once the feeble team have been picked off, she dusts herself down and as the only mortal survivor of Prometheus she continues her quest for knowledge and truth.
The Empire Strikes Back (1980)
The Danish pastry hair buns debuted by Leia in Star Wars and the metal bikini she wore in Jedi are iconic. But I’ve always admired the white jumpsuit and loopy-braid hairdo combo she showcased on Bespin’s Cloud City, complete with blaster.
It’s a practical but chic get-up for her roles as soldier, spy, royal and diplomat.
Despite Carrie Fisher’s recent admission that she was, in fact, higher than the stars when she filmed Empire, Leia is at her best in this movie.
In the first film she’s a brash rebel who witnesses her entire home planet destroyed. By the final film, although still committed to her cause, she appears softer – much like Padme in Revenge of the Sith.
In Empire she is as combative as Han Solo, while starting to show actual feelings for the scene-stealing smuggler.
And given what we’ve been told about the development of the Star Wars plot, there are some uncertain nods to her true identity and origins.
While her brother has a reputation as one of cinema’s greatest whiners, and there are real moments where it looks like the men might not make it, there’s never any doubt Leia is a survivor.
Watching Sandra Bullock spin through space, I unfortunately discovered that Gravity triggers vertigo, so it’s definitely not one I can go back to watch again and again.
Balance issues aside, this is a beautiful and thoughtful drama. Given the hype, the seven Oscars, and the theme of sheer adversity, I wasn’t expecting the movie to be so tender.
Grief-stricken following the loss of her young daughter, newbie astronaut Dr Ryan Stone finds herself stranded after debris wrecks her space shuttle. She must contend with a dwindling air supply, no communications with mission control and the loss of George Clooney.
Gravity is not sci-fi, and the fact that Stone is from our own present-day earth with our real technological limits makes her even more engaging than a character in a futuristic or fantastical setting.
Stone is self-reliant. She is human. She hallucinates and loses the will to live – and then summons it again.
The movie’s message is never give up, and that through perseverance you can achieve the impossible.